The Revenant has some things going for it. For one, the cinematography is beautiful. Tom Hardy proves, yet again, he has acting chops. Leonardo DiCaprio, after much grunting and groaning over the years to get an Oscar, gets a role where he literally grunts and groans his way the whole movie to achieve the allusive gold (really, I want to see the script). The script itself is fine and there are great, dramatic moments throughout, but on the whole it needed editing (over two and a half hours long). What irritated me most, though, was the eye-rolling, ahistoric, cliché moralism of the film.
Yes, it is the historian in me that is annoyed, but it isn’t over presentism (see every Ridley Scott movie) or pedantic historical inaccuracies. Rather, what irks me is the Zinnian tripe in which the white man is the invading oppressor and the red man is the oppressed (not the first time I’ve gone after Zinn the “historian”). Granted, Zinn presents a fun and simplistic morality tale and as with most morality tales there is a kernel of truth, but in the end, it is just that: a tale, which as expected, has sparked equally obnoxious right wing backlashes. It is a truism among historians that bringing politics into the study of history leads to bad history. And bad history begets more bad history, which, not surprisingly, worms its way into our films. I had hoped a skilled director would have handled the topic with more care, but alas.